Lucky young Americans in Paris during the 1920s, including Hemingway, Fitzgerald and Gershwin, measured themselves against monumental figures of the time: Joyce, Picasso, Stravinsky. Powerful personal connections link the works that grew from near-daily contact with other geniuses.
What has been obscured by the halo of their success is that many were audaciously trying media with which they had little experience. Writers and composers painted up a storm, artists turned into poets, and the theater gathered dream teams of talent. Hemingway was a connoisseur of contemporary art, Gershwin and cummings exhibited paintings, Leger made films, Pound wrote an opera, and Picasso was spending more time backstage at the Ballets Russes than in the studio. This is a celebration of the courage to go beyond one’s specialty to experiment.
Think Olio is not about learning a new skill or adding credentials to your resume. It is about getting together with other people and expanding our worldview. It exists as a conduit for fruitful discussions, a dissent from the regurgitation of facts, and an embrace of new perspectives.