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OlioNote Release Party // Death, Paint By Numbers, & Plato's Cave


THE HISTORY OF DEATH IN AMERICA — by Jamie Warren

Despite the vast array of different cultural practices and beliefs surrounding death, at least one thing stands out as universal among all known societies and perhaps throughout all of human history: no society has ever regarded the dead body as meaningless material. We all, it seems, have a deep need to tend to our dead. Yet, precisely because of this shared ubiquitous value, the dead body has served as a site of power, oppression, and resistance.

CEZANNES of SUBURBIA:  The Midcentury Craze for Paint by Number — by Amanda Hallay

In the American 1950s, the birth of Abstract Expressionism coupled with a craze for a fantasy Rive Gauche (cue: artists in berets creating avant-garde masterpieces on the banks of The Seine) saw a genuine belief that we all had an ‘artist within’ who was dying to get out! Sadly the ‘artist within’ most of us wasn’t very talented, but help was on hand. Tapping into this almost pathological desire to create art (and his own need to get rid of surplice paint), engineer and paint manufacture Max S. Klein teamed up with commercial artist Dan Robbins and launched ‘Paint by Number’, each kit containing a canvas covered in light blue numbered shapes, each number corresponding to a tiny, plastic tub of paint. Paintbrush included!  Promising to “Bring out the Rembrandt” in everyone, Paint by Number was a genuine cultural phenomenon, the resulting ‘masterpieces’ both hilarious and poignant, telling as they do the cultural story of Midcentury America.

THE PEOPLE VS OSCAR WILDE: Aestheticism, Popular Culture, Evil — by Geoff Klock

Oscar Wilde popularized the idea that Beauty, rather than Truth or Goodness, should be the aim of art -- and by extension pop culture. It was an idea that gave us stunning paintings that are just splashes of color and movies that are pure roller coasters. But did removing accuracy and moral aims from art lead us into our current predicament where we blame stories for preaching violence, patriarchy, racism and sexism? 

Space is limited.




Location: Terminus Recording

Terminus has a rich history, having hosted an array of major and independent artists over several decades. Some past highlights have included, Paul McCartney, Alicia Keys, Mariah Carey, John Legend, Fabulous, A.R. Rhaman, Boys Like Girls and recently, Andre Previn, David Fink, Phillip Glass collaborators Kurt Munkacsi and David Lee, Liza Minnelli and Michael Feinstein.


Other upcoming Olios


Jul 22

Immoral Art?

Taught by Jeanne Proust
3 p.m. at Mathew Gallery

Sign Up - $15

Jul 26

A Dog Named Ego

Taught by Michael Prettyman
7 p.m. at Strand Bookstore

Sign Up - $20

Jul 28

NYC Poetry Festival | Revolutionary Letters, Confronting the Times

Taught by Jessica Rogers
1 p.m. at Governors Island

Sign Up - $10

Jul 28

NYC Poetry Festival | Sekou Sundiata & Radical Citizenship

Taught by Brian Lewis
3:30 p.m. at Governors Island

Sign Up - $10

Jul 29

NYC Poetry Festival | The Dangerous Pleasure of Art

Taught by Geoff Klock
3:30 p.m. at Governors Island

Sign Up - $10

Jul 29

NYC Poetry Festival | Poetry of Loneliness and Collaboration

Taught by Heather O'Neill
1 p.m. at Governors Island

Sign Up - $10

Jul 31

Immersive Listening - Bowie's "Low"

Taught by Whitney George
7:30 p.m. at Nowadays

Sign Up - $15

Aug 21

The Poetry in Piledrivers: Pro-wrestling as Art

Taught by Ben Abelson
7:30 p.m. at Living Room

Sign Up - $15


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